Compound Studio

Phantom Limb travelled from England after hearing Marc Ford & Anthony Arvizu’s production of Ryan Bingham’s first record, Mescalito. We are happy to host this outstanding group and are excited to share the results of this rewarding session.

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Considering this is a recording studio blog of sorts, I’ll experiment with a new feature: listing gear used for tracking session. Mostly I’ve used this blog to feature the photos from each session, but that shall change over time. Let’s see how this experiment plays out…

Instrument / Mic / Pre / Outboard Gear (if applicable)
Kick In – d112 / Focusrite Green 1 / Distressor
Kick Out – Sony C-38 / Focusrite Green 2
Snr Top – sm57 / DynaMic 1
Snr Btm – sm57 / DynaMic 2
Flr – 414 eb / Trident S20
Hat – SM81 / Trident S20
OH Flr – Gefell / Trident S20 / Compex
OH Hat – Gefell / Trident S20 / Compex
Rm 1 – SM81 / TAC / DynaMite
Rm 2 – SM81 / TAC / DynaMite
Bass Amp – RE-20 / Summit Pre / Sum DCL 200 / Sum EQ
Bass DI – Radial / Summit Pre / Sum DCL 200 / Sum EQ
Egt 1A – Royer 121 / Neve 1081
Egt 1B – sm57 / TAC
Egt 1C – Beyer M88 / TAC
Agt – Royer 121 / Neve 1081 / DBX 165A
PNO Lo – AKG 460 / TAC
PNO Hi – AKG 460 / TAC
Wurli – 421 / TAC
B3 Organ – 414 ULS / TAC
Vocal – Neumann KMS 105 or Pearlman TM-1 / Sebatron Thorax / Distressor
Background Vocals – Neumann KMS 105 / TAC / 160X